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8 January 1836 – 25 June 1912. Most renowned painters.

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CONINXLOO, Gillis van
Landscape with Leto and Peasants of Lykia fsg

ID: 06138

CONINXLOO, Gillis van Landscape with Leto and Peasants of Lykia fsg
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CONINXLOO, Gillis van Landscape with Leto and Peasants of Lykia fsg


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CONINXLOO, Gillis van

Flemish Northern Renaissance Painter, 1544-1607 Flemish landscape painter. His Judgment of Midas (Dresden), Latona (Hermitage, St. Petersburg), and above all the Landscape with Figures (Liechtenstein Gall., Vienna) are fine examples of his art. Coninxloo's paintings, characterized by fantasy, warm tones, and refined realism,  Related Paintings of CONINXLOO, Gillis van :. | Old Woman Reading | Anbetung des Kindes | Extracting the heart of St Ignatius Bishop. | It is her portrait million Lease | Pieta |
Related Artists:
Sergei Ivanov
Russian Painter and Printmaker, 1864-1910
Dirck Barendsz
(1534?C1592) was a Dutch Renaissance painter from Amsterdam who traveled to Italy in his youth to learn from the Italian masters, most notably Titian.
Joseph Crawhall
1861-1913 English painter, active in Scotland. He was brought up in Newcastle upon Tyne and was encouraged by his father and by Charles Keene, the cartoonist for Punch, studying at King's College School in London under P. H. Delamotte. There he met E. A. Walton, with whom, joined by James Guthrie, he painted at Roseneath, near Glasgow, in 1879. Crawhall also collaborated with Walton and Guthrie on illustration. His association with the Glasgow Boys was consolidated during the early 1880s on further painting trips in the Trossachs, Berwicks, and Crowland, Lincs. A keen huntsman and rider, Crawhall specialized in bird, animal and humorous subjects, and his work, with that of Arthur Melville, exemplifies the achievement of the Glasgow Boys in watercolour. After studying in Paris in 1882 under Aim? Morot (1850-1913), Crawhall exhibited for the first and only time at the Royal Academy, probably showing A Lincolnshire Meadow (1883; Glasgow, A.G. & Mus.). He then virtually abandoned oil painting and the plein-air technique, working instead from memory and using line and watercolour.






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